Icon, iconography, iconology: Visual branding, banking and the case of the bowler hat
Accounting, Auditing & Accountability Journal
ISSN: 0951-3574
Article publication date: 31 July 2009
Abstract
Purpose
This paper aims to explore the entangling of economic, social and cultural values which circulate in visual branding, reflect business practice and add intangibles to organisations.
Design/methodology/approach
The study is placed in the context of the difficulties and shortcomings of accounting for brands. A conceptual framework is constructed, based in critical theory from arts disciplines, notably from the thought of Barthes, Panofsky and Peirce. The icon is a primary denotation or representation. Iconography is a secondary level of coded meaning. Iconology is an interpretation that calls on the unconscious. Intermingling of the icon and the logos is considered. This accounting context and arts framework are used to compare the financial statements of the Bradford & Bingley Bank with its visual branding.
Findings
The financial statements are almost silent regarding brands, in line with regulation. In response to the greater competition that accompanied deregulation and globalisation, the Bank's lending and funding practices become more innovative. The visual framework reveals a changing iconography and iconology where class, detectives, music hall and the bowler‐object may be discerned. An iconology is suggested of dreamlike connotations and magical powers in the collective unconscious. The Bradford & Bingley have actively managed their visual branding to reflect and appeal to a changing society, and a more competitive business environment.
Research limitations/implications
The study provides a model which may be applied to visual aspects of financial reporting and branding. It would benefit from an assessment of readership impact.
Practical implications
The analysis is of interest to accounting researchers, practitioners, trainees and auditors. It illuminates the ways in which visual branding interacts with business practices and conveys intangible values that are not reflected in the accounts.
Originality/value
The paper augments theoretical and empirical work on visual images in accounting.
Keywords
Citation
Davison, J. (2009), "Icon, iconography, iconology: Visual branding, banking and the case of the bowler hat", Accounting, Auditing & Accountability Journal, Vol. 22 No. 6, pp. 883-906. https://doi.org/10.1108/09513570910980454
Publisher
:Emerald Group Publishing Limited
Copyright © 2009, Emerald Group Publishing Limited